Capitalism Calls Poetry Lazy. By Wyatt Welch
Welch engages with the edges of the United States in these biographic poems about their kidnapping, their difficulties as a gay/trans individual, and their alliance with Witchcraft. Among unstable poems and juxtaposition, Welch searches for the poetic body just beyond the physical one, “That I am challenged to embody my own Nature, othered by forces outside myself, to reassert a peace, my peace, that was dirtied for the benefit of privileging males is an undertaking I revisit and resent daily. This act of returning to myself, by rejecting the world, is dark and is the source of my power as a Witch. These practices speak throughout my poetry.”
As the title nails down, Welch also impugns the intentions that capitalism harbors against us, the living. “For Capitalism to work, it teaches us, on many levels, to disconnect from our natural empathy, from the homeless, from the countries we’re calmly bombing, and from the other beings sharing our world. The narrative of laziness turns the connection to cruelty, and poetry exposes such fiction. Poetry furthers our empathy with one another, including our empathy with everyday objects. Poetry isn’t lazy—it never rests.”
Welch engages with the edges of the United States in these biographic poems about their kidnapping, their difficulties as a gay/trans individual, and their alliance with Witchcraft. Among unstable poems and juxtaposition, Welch searches for the poetic body just beyond the physical one, “That I am challenged to embody my own Nature, othered by forces outside myself, to reassert a peace, my peace, that was dirtied for the benefit of privileging males is an undertaking I revisit and resent daily. This act of returning to myself, by rejecting the world, is dark and is the source of my power as a Witch. These practices speak throughout my poetry.”
As the title nails down, Welch also impugns the intentions that capitalism harbors against us, the living. “For Capitalism to work, it teaches us, on many levels, to disconnect from our natural empathy, from the homeless, from the countries we’re calmly bombing, and from the other beings sharing our world. The narrative of laziness turns the connection to cruelty, and poetry exposes such fiction. Poetry furthers our empathy with one another, including our empathy with everyday objects. Poetry isn’t lazy—it never rests.”
Welch engages with the edges of the United States in these biographic poems about their kidnapping, their difficulties as a gay/trans individual, and their alliance with Witchcraft. Among unstable poems and juxtaposition, Welch searches for the poetic body just beyond the physical one, “That I am challenged to embody my own Nature, othered by forces outside myself, to reassert a peace, my peace, that was dirtied for the benefit of privileging males is an undertaking I revisit and resent daily. This act of returning to myself, by rejecting the world, is dark and is the source of my power as a Witch. These practices speak throughout my poetry.”
As the title nails down, Welch also impugns the intentions that capitalism harbors against us, the living. “For Capitalism to work, it teaches us, on many levels, to disconnect from our natural empathy, from the homeless, from the countries we’re calmly bombing, and from the other beings sharing our world. The narrative of laziness turns the connection to cruelty, and poetry exposes such fiction. Poetry furthers our empathy with one another, including our empathy with everyday objects. Poetry isn’t lazy—it never rests.”
Welch was kidnapped by their father, a haunted and troubled Vietnam War veteran, and so grew up on the Interstates in various vehicles to evade capture. These experiences contributed to Welch’s views of the United States in this volume of poetry, in which Welch questions the boundaries between the Self and the State.
Their recent work has been published in Aired, deLuge Literary and Arts Journal, the Metric, Mantra Review, the Ocotillo Review, Persephone's Daughters, and Anacua Literary Arts Journal. Their first book of poetry, Capitalism Calls Poetry Lazy, will be published in 2022 by Flower Song Press.
Welch earned their MA in Linguistics and African Languages at the University of Florida.